THE JOURNAL OF ANAPHORIAN MUSIC THEORY

Perspectives of New Mesotonal Music

(Just Intonation, Recurrent Sequences, and Microtonal Systems)

ABOUT THE JOURNAL


THEORETICAL PAPERS

Centaur: A 7 Cap Tuning

3 Stray Scales

The Pentatonic Family Pt.1

The Pentatonic Family Pt.2

Horogram (MOS) Rhythms from Xenharmonikon 16

More on Horogram (MOS) Rhythms - revised Nov. 2012

Viggo Brun's Algorithm Applied to Rhythm and Long Meters

A Select Group of Dekanies and Constant Structures in which they are found Kraig Grady and Terumi Narushima

The Copan Scale

A Tuning for Satie's Vexations

EIKOSANY PAPERS - Structures and patterns used in compositions

Erv Wilson's Hexany from 1/1 Sept. 1991

A Recurrent Hexany

Feeding the Disjunction/Letter to Wilson

Marwa Purvi within 12-updated 1/2010

Primary and Secondary Recurrent Series By Kraig Grady and Juno Kim

Tetrachordal Scales from the Subharmonic Series added 3/2014

A Near Flatland with a Bastard Lattice 2/2015



SCORES AND DIRECTIVES

Dark Dissents- for Cymbolum or like instrument

Corroded Communes- for Piano

CRISIS for Clarinet and Organ-1990

Libretto to War And Pieces- A Mythic Opera of Future Nostalgia (1989)

Lullaby


MUSIC FOR COMMUNITIES AND TRIBES -a collection

Little Big Horn - Score and Recording

TELEPATHY-2011-Kraig Grady
The performers spread throughout a large space. Lighting is reduced to a minimum.
In the first part performers are asked to attempt telepathy with the orther players by playing/making a percussive sound only when they sense someone else is going to do so at that instant.
The performers latter modify this by extending when they sense someone else will play by counting to and on 4 making a percussive sound simultaneously adding a sung tone also sensing what they think others will sing. The performer holds this tone as it long as possible then repeat this process.


Mandala10 - A Work by Greg Schiemer



INTONATIONAL TOOLS

Kardi Teknomo/John Chalmers
Cent to Ratio Conversion Spreadsheet
Continued FractionCentJC.xls



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